OK, I may have had an irrational love for the 1966 Michelangelo Antonioni film Blow-Up (starring Vanessa Redgrave, Sarah Miles, and David Hemmings) since I was in the womb, but I am not alone in my love for the mod Brit film's killer poster. It often tops lists of the world's greatest and most iconic posters (see here and here), written by cinephiles and design fiends alike, and for good reason. The original 1966 Italian design is the one most fawned over, but there are actually several variations, almost all featuring a sexy model and her photographer.
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I always struggle when faced with filling out personal questionnaires (they're lame), except when it comes to the "who I'd like to meet" field. My response to this question is always Saul Bass, undisputedly one of the greatest graphic designers of the mid-20th century. Bass's vision has given a face to long-standing brands like Minolta, AT&T, and United Airlines, and he was also a master of film title sequence and poster design, collaborating with the likes of Alfred Hitchcock, Otto Preminger, and Martin Scorsese. 
London-based production designer 
